The 8 articles about gothic and fantastic literature
from 1761-1998 which begin this book each have annotated bibliographies,
some of which contain 500 titles. Ten other chapters include secondary
literature and research aids, magazines, Internet sites, lists of best
books, awards and winners, series, organizations, and conventions.
Purchase this outstanding source for high school and college collections
for student genre research or for collection development.
Mary Ann Paulin; Director, Superiorland Preview
Center
Dresang, Eliza T. RADICAL CHANGE: BOOKS FOR YOUTH IN A DIGITAL AGE.
Bronx: H. W. Wilson, 1999. 344p.
0-8242-0953-2 pb.$45.00 98-34791 NF 801.95
If you want to be on the cutting age of reading in
the digital age, then you need to read this book. Dresang, a former
school and public librarian, school district library and technology director,
now a professor of information studies and developer of a web-based MA program,
talks about radical changes in books and readers brought about by electronic
media. Dresang identifies literature that has characteristics of
the digital age that are: interactive, nonlinear, multilayered, graphic,
contain multiple perspectives and unheard voices, or break barriers
in subject, setting, characterization, and endings. Appendix A
contains recommended books published between 1990-98 that reflect this
thought. A web site updates the list: http://slis-one.lis.fsu.edu/radicalchange/>
Appendix B is an overview of ideas about childhood and literature for
children from the middle ages to the end of this century. Required
reading for library/media personnel at all levels K-college.
Mary Ann Paulin; Director, Superiorland Preview
Center
Horning, Kathleen. FROM COVER TO COVER: EVALUATING AND REVIEWING
CHILDREN'S BOOKS. New York:
HarperCollins, 1997. 0-06-024519-0, hb. $24.95;
0-06-44617-X, pb.$12.95.
Gr 9-12+ Adult 801.95 PROFESSIONAL PICK
This well-know public and university librarian
provides criteria for evaluating picture books, easy readers, fiction,
nonfiction, folklore, and poetry. Source notes and a bibliography
for children's books are included at the ends of each chapter.
Persons interested in critically evaluating children's books will use Horning's
book for introductory or refresher collection development, writing reviews,
and for understanding the elements of good children's literature.
Teachers of literature at all levels and book lovers will find the book
informative. Horning's book was purchased from LSTA grant
funds and 30 were given to communities represented at the 14 workshops
on book reviewing conducted by the Superiorland Preview Center.
Libraries who do not own this title need to purchase one.
Mary Ann Paulin; Director, Superiorland
Preview Center
Author and conductor of workshops on
book evaluation and review writing
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Although this book is written for students, teachers
will appreciate the glossary of poetry terms and will also use the ideas
for journal writing, the writing process, making books, and finding
a publisher. Media specialists will use the bibliography
of good poetry books and the list of the author's books for collection
development. Janeczko includes samples and ideas for
writing the following types of poems: acrostic; synonym, opposites,
Clerihews, list, personal, and narrative. There are ideas for writing:
rhyme, creating images,, word choice, figurative language, and line breaks.
This is a first purchase for collections serving students fourth grade
through adult education and for universities with education and library
schools.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Leedy, Lorraine. LOOK AT MY BOOK: HOW KIDS CAN WRITE AND
ILLUSTRATE
TERRIFIC BOOKS. New York: Holiday
House, 2004. 0-8234-1590-2 hb. Gr. 1-4 808.2
Lorraine Leedy comes through with a book that teachers will
love, and students will be able to understand on their own. The layout
covers all aspects of the writing process and the steps needed for publishing.
The illustrations are colorful, and take readers step-by-step from
beginning an idea to finishing a book. The author also includes a resource
page for writing, research skills, bookmaking, and getting published. This
will be a welcome addition to libraries and classrooms.
Lynette Suckow Peter White Public Library,
Marquette, MI
Nye, Naomi Shibad., ed. WHAT HAVE YOU LOST?
Illus. with photos by Michael Nye.
New York: Greenwillow, 1999. 205p.
0-688-16184-7; hb $17.00 Gr.6+ 808.81
Intriguing cover photos displaying the question
"what have you lost?" invite readers inside the collection to explore
a wide array of losses experienced here and throughout the world.
Naomi Shibad Nye has written and collected these poems over several years–the
loss of a parent, an old barn, friends, homes, and a night's sleep.
Some are memories held dear–a grandfather's love, while others are bitter
memories–an abusive spouse now thankfully dead. Some poems are harder
to understand than others because of the array of different cultures represented.
Notes on the authors at the end of the book help to explain their meanings.
Photos by Michael Nye also display different types of losses which may
be very useful in stimulating students to write their own poems on the
subject. This collection of about 90 poems will appeal to students
dealing with their own losses. It if hard to keep this book on the
shelf! Highly recommended.
Barbara Berry, Media Specialist, Kalkaska
Middle School, Kalkaska, MI
Tennyson, Alfred Lord.
THE LADY OF SHALOTT. Illus
by Genevieve Cote. Tonawanda, NY:
Kits Can
Press, 2005. 48p.
ISBN 1553378741 hb. $16.95 Gr. 6-12
j821.8 TE
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Dubuc, Mrianne. IN FRONT OF MY HOUSE.
Trans. by Yvette Ghione. Tonawanda,
NY:
Kids
Can Press Ltd. 2010. 114p.
ISBN: 9781554536412 hb.
$18.95. Gr. 1-3
NF 810
IN
FRONT OF MY HOUSE is a circular story using prepositions to describe
what happens in front of this child's house. It behooves the
reader to pay attention while reading or listening to the story, it is
amazing who shows up in front of the house. This book would be a
fun introduction to teaching prepositions. While there are many
pages, there is only one line per page.
Christine Collins, Library Director, L'Anse Area School/Public
Library
Holzer, Harold, comp. ABRAHAM
LINCOLN THE WRITER: A TREASURY OF HIS
GREATEST SPEECHES AND LETTERS. Illus. with photos. Honesdale, PA: Boyds
Mills, 2000.
107p. ISBN 1-56397-772-9; hb.$15.95
99-66551 Gr. 6+ 810
In the introduction, readers learn that Lincoln
had the Lincoln-Douglas debates printed as a book because he wanted
his views known and not thrown out with the newspapers. He also
wrote his speeches with an eye to publication. Excerpts from five
of those debates are included as well as 11 from his Illinois years, 1825-1860
and 15 from his White House years, 1861-65. Lincoln's more famous
speeches are included in the book: "House Divided," " Gettysburg
Address," and "Emancipation Proclamation." With more emphasis
being placed on primary sources, this book is an excellent purchase for
middle, high school, university, and public library collections.
The photos themselves come from the beginning of photography and reflect
that quality. Also useful are a chronology, index, and list of 13
places to visit connected with Lincoln.
Mary Ann Paulin; Director, Superiorland
Preview Center, Marquette, MI
Tackach, James, ed. SLAVE NARRATIVES. Greenhaven Press
Companion to Literary Movements
and Genres series.
San Diego: Greenhaven, 2001. Farmington Hills, MI: Gale Group, 2001.
190p.
0-7377-0550-7; lib.bdg., $22.95 0-7377-0549-3; hb., $14.96
00-037577 Gr. 9+ 810.9
Like other volumes in this series, this is a collection
of essays from previously published works. The essays are excerpts
from books, introductions to books and journal articles with publication
dates between 1973 and 1999. The authors are recognized scholars
in their fields. Each essay begins with a short resume of the author’s
scholarship. Five chapters explore the origins and development,
literary sources, expressions of freedom, gender issues, and enduring
legacy of the slave narrative. The essays in these chapters discuss
the various elements that support the major theme of the chapter.
The Introduction and the following discussion of the slave narrative as
an American genre, give the reader an overview of the genre in a chronological
order, noting authors and works of particular importance. The book
concludes with the following three sections: Chronology, For Further Research,
and Index.
For the student wanting an introduction to this
genre, this book offers a great starting place. For the student
who has read a slave narrative, this book can offer a variety of insights
into the elements that make up the work. The introduction, the discussion
that follows and the chronology sections provide students with general
or background information about slave writings. The book is laid out
in a logical progression and the five chapters cover the major elements of
critical and analytical concern. The essays that make up the chapters
are thoughtful and well written.
The interest level of this book is rated as Young
Adult. While all students can find useful information in this
book, the students who would gain the most from it are those with a high
interest in the subject, higher level students in high school or those
in general literature courses in college. A good book but may find
limited use in most high schools.
Ted Snodgrass, Media Specialist, New Haven
High School, New Haven, MI
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Burleigh, Robert. GOAL.
Illus by Stephen T. Johnson. San Diego: Silver Whistle/
Harcourt, 2001. 32p. 0-15-201789-5
hb. $16.00 98-33181 Gr. 3-5 811.54
This prose poem about a soccer team of guys and girls
begins with a three-three tie and ends with success, “You, me, us--champions.”
Purchase where soccer is popular.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Carlstrom, Nancy White. GLORY. Illus by Debra Reid
Jenkins. Grand Rapids:
Eerdmans, 2001. 32p. 0-8028-5143-6
hb. $17.00 Gr. K-3
811.54
Each section begins “Glory to God for…” a variety
of wild creature that flutter or are fuzzy and have wings, gills, and
fins, fur. The oil paintings show a girl celebrating with a variety
of creatures. This is a solid public library purchase.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Clinton,
Catherine. PHILLIS'S BIG TEST.
Illus. by Sean Qualls. New York: Houghton
Mifflin
Company, 2008. ISBN: 978-0-618-73739-0 hb. $16.00.
Gr. 4-6 j811.1
Phillis Wheatley, a slave girl, had been educated in her master John
Wheatley's Boston home. She learned English, Greek and Latin with the household
children. When she began to read poetry, she was inspired to write her own
poems, which were good enough to catch the attention of important people in
Massachusetts. But to achieve the recognition, she had to prove her talent and
intellect before a panel of important people. She passed with flying colors. This story about a remarkable young woman reveals some
aspects of slavery and Phillis's determination to succeed for her family back in
Africa.
Acrylic paint and paper collage llustrations add to the appeal; however
none of Phillis's poetry appears in the book. It seems incomplete without it.
Judy Bennett, Clerk, Ironwood Carnegie Library, Ironwood, MI
Cyrus, Kurt. HOTEL DEEP: LIGHT VERSE FROM DARK WATER.
Illus. by author.
Orlando, FL: Harcourt, Inc., 2004. unp.
ISBN 0-15-216771-4 hb. $16.00 Gr. 1-5
811.6
Dive into an undersea world of poetry and pictures with
Kurt Cyrus, who also wrote Oddhopper Opera: A Bug's Garden of Verses.
The story follows a lone sardine separated from the its group. The sardine
swims past crawfish, stonefish, anenomes, scallops, and flounder to search
for the other sardines. Find out fascinating facts about octopus eggs
and cleaner wrasse. There's a wealth of information in this unique
poem that follows standard format, but then breaks into concrete poetry when
the need arises.
The illustrations are superb! The coral looks like
Greek architecture. Sunlight filters down through the water and highlights
colorful ocean creatures. Readers can almost feel the water currents
wash over the page. This book is recommended for libraries and classrooms.
Lynette Suckow, Peter White Public Library, Marquette,
MI
Eliot, T.S. OLD POSSUM’S BOOK OF PRACTICAL CATS.
Illus by Axel Scheffler. New
York:
Harcourt
Children’s Books, 2009. ISBN
978-0-547-248827-1 hb. $16.00 Gr.
3-12 j811
Originally copyrighted in 1939, Eliots’s collection of poems featuring
all kinds of feline creatures is entertaining, whimsical and amusing. Originally
written for the entertainment of his Godchildren, all kinds of cats inhabit the
pages which are illustrated which are illustrated in a style similar to the
Sunday comics and which perfectly fit the poetry.
This is a good choice for libraries with a demand for diverse forms of
poetry. Teachers will find it a
useful tool in teaching students that poetry can be fun.
Barb
Ward, Retired Children’s Librarian, Dickinson County Librar, Iron Mountain, MI
Florian, Douglas. A PIG IS BIG. Illus by the author.
New York: Greenwillow, 2000. 32p.
0-688-17125-7; hb.
$15.95 0-688-17126-5; lib.bdg. $15.89 PreS-Gr.2 811 or
E
This picture book in rhyme involves readers by asking
them questions about the size of various animals and objects.
"What's bigger than a pig? ...cow? car? truck? street? neighborhood?
city? earth? universe? What a charming way to learn about size.
Although the concept of earth and universe are hefty for the intended
audience, the illustrations help with the concepts. The last picture,
showing a pig constellation, is more for the adult reader than the child
but adds to the charm of the book. You can’t have too many Florian
titles.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI 49855
Gander, Gregory. SNOWY FLOWY BLOWY: A TWELVE MONTHS RHYME. New
York:
Scholastic, 1999. unp.
0-590-18973-5; hb., $15.95. 98-4709 PreS-Gr.1 811
or E
This picture book is based on a poem called "Twelve
Months" by Gander. Tafuri's watercolor illustrations portray January
as Snowy and show birds, deer and children on sleds. Ducks
see February as Flowy. Other months are Blowy, Showery, Flowery,
Bowery, Hoppy, Choppy, Droppy, Breezy, Sneezy, and Freezy. These rhyming
words are large and easy for emerging readers to see. The days of
the months appear on all the pages but sometimes their color is light and
they are difficult to read. The last page shows Tafuri's picture
book I LOVE YOU, LITTLE ONE (Scholastic, 1997) on the table between
mother and child who along with a cat are looking out the widow while the
father, two children, and dog are bringing in a Christmas tree on a toboggan.
The icicles on the window reinforce the word "Freezy." School and ublic
libraries who need picture books with limited vocabulary that children can
read themselves will be interested in purchasing this title.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
George, Kristine O'Connell. BOOK! Illus by Maggie Smith.
New York: Clarion, 2001.
unp. 0-395-98287-1; hb., $9.95. 00-065600
PreS- Gr. K 811.54 or E
The acrylic illustrations on stiff pages that are easy for preschoolers
to turn, show a flat square gift in green wrapping paper that a small
boy opens to find a book that he can turn the pages by himself and read
to his toy elephant or his cat or can be read to by his mother in a chair
"warm and snug." This book could be retitled "Ode to a Book" because
the rhyme is a love affair between a toddler and his book. Curling
up with a book in bed with his stuffed animal and cat is a perfect ending.
Purchase this book for libraries, day care centers, and for baby gifts.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Glaser, Linda. OUR BIG HOME: AN EARTH POEM. Illus.
by Elisa Kleven. Brookfield, CT:
Millbrook, 2000.
32p. 0-7613-1650-7; lib.bdg., $21.90 99-45775
Gr. 2-4+ 811 or
E
This prose poem has a stanza and illustration
on each double page spread. The last unifying sentence in each
stanza is "We all share the ...here on Earth, our ...home." Items
we all share are water, rain, sun, soil, air, wind, sky, darkness, moon,
and all forms of life. Besides the obvious environmental implications,
the book has a uniting influence. This book is useful for Earth Day
and the rest of the year.
Mary Ann Paulin; Director, Superiorland Preview
Center
Hooper, Patricia. WHERE DO YOU SLEEP, LITTLE ONE? Illus
by John Winch. New York: Holiday,2001.
32p.
0-8234-1668-2; hb., $16.95. 00-053543 PreS-Gr. 3 j811 PAULIN'S PICKS
This is an exquisite picture book from the end papers
to the oil on handmade paper because the animals are cut out and arranged
in layers before being photographed, giving it a 3-D effect. A
variety of animals are introduced in the story with the same question:
"...where do you sleep?" The animal answers. The surprise
ending makes this a Christmas book although it can be read throughout
the year. Animals are chipmunk, field mouse, fawn, wren, rabbit,
and spider. The last question is posed to the pony, goat, and sheep
who reveal the final sleeping creature. This book is a winner!
Mary Ann Paulin, Director; Superiorland Preview
Center, Marquette, MI
Koontz, Dean. EVERY DAY'S A HOLIDAY: AMUSING RHYMES FOR HAPPY TIMES.
Illus.by Phil Parks. New
York: HarperCollins, 2003.144p. 0060085843 hb.$12.59 Gr.3-6 j811
Who would have ever thought that the master of mystery
and suspense for adults would do a total turnabout and write children's
stories and poetry? Versatility is the name of Koontz's game, and
judging from his humor and uniqueness, he
will have lots of players. With
his third juvenile creation, (The Paper Doorway and Santa's Twin
being his previous works)
he has proven, once again, that kids like the
unconventional. In this newest title, he combines fantasy, frivolity
and a bit of bizarre. The comical poems include explaining the origin
of youngster's favorite holidays and festivities from Valentine's Day
to
Halloween to a few originals. Koontz's comical poetry and Par's appealing
drawings make a great tem and are sure to
score big with this title.
Patricia Fittante, Children's Librarian, Escanaba
Public Library
Krauss, Ruth. A VERY SPECIAL HOUSE. Illus by Maurice
Sendak. New York: Harper, 1953; 1981
32p. 53-7115
0-06-028639-3; lib.bdg., $14.89 PreS-Gr. 1 811 or E
This Caldecott Honor Book contains a rhyming story
on a yellow background. The illustrations are black pen and ink drawings
with only the narrator in blue and white. The little boy dances
through the book in his blue overalls and readers still follow him with
interest even 20 years later.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Lewis,
J. Patrick and Keith Graves THE
WORLD'S GREATEST: POEMS. Illus.
by Keith Graves.
San Francisco, CA: Chronicle Books, 2008. 33p. ISBN 978-0-8118-5130-5
Gr. 5-9 j 811.54
The World's Greatest Poems contents reads like a Guiness Book of Records:
The Kookiest Hat, The Tallest Roller Coaster, the Shortest Snake, The Biggest
Potato, The Most Live Scorpions Eaten by a Human (they're better by the bunch,
it says) for example. Grandpa Patrick wrote them for his grandchildren and
Keith Graves wrote for the guy who ate all those scorpions. The intended
audience would share a lively imagination and well developed sense of humor.
Illustrations enhance the whimsy and nonsense.
Judy Bennett, Clerk, Ironwood Carnegie Library, Ironwood, MI
Longfellow, Henry Wadsworth. PAUL REVERE’S RIDE: THE LANDLORD’S
TALE.
Illus by Charles Santore. New York: HarperCollins,
2003. 32p. 0-688-16552-4; hb.,
$16.99 0-06-623747-5;
lib.bdg., $17.89 2000-0389704 K-Gr.
4 811.3
At first glance, the illustrations seem very dark.
However, the first double-page spread shows a colonial home by firelight
as Revere’s poem is begun and life by firelight alone precludes the brighter
lights of electricity. Since most of the ride took place
in the dark, the scenes in the book are dark. However, at the end
of the poem as the quest is at a successful end, the color lightens.
Although this is different from other picture books depicting the poem,
consider this one for the contrast.
Mary Ann Paulin, Director; Superiorland Preview
Center, Marquette, Michigan
Lyon, George Ella. BOOK. Illus. by Peter Catalanotto.
New York: DK, 1999.
unp. 0-7894-2560-2; hb., $15.95.
K-Gr.5+ 811
This poem compares a book to a house, treasure chest,
farm, tree leaves, and a field. The highly imaginative illustrations
augment the prose poem. Librarians will like the quotes
"A BOOK is full of LEAVES that feed the tree of life" or "A book
is a chest that keeps the heart's treasure." Use this book to celebrate
book holidays.
Mary Ann Paulin, Director, Superiorland Preview
Center, Marquette, MI
Lyon, George Ella. COUNTING ON THE WOODS. Photos by
Ann W. Olson.
New York: DK INK, 1998. unp.
0-7894-2480-0, hb., $15.95. 97-34117
PreS-Gr. 3+ 513.2
or E PAULIN'S PICKS citation.
Lyon's book gives extra value for the money; three
different concepts in one picture book: poetry, counting, and nature
study. The poem is in large print while the captions for the photos
appears in lighter, smaller, italic print. Each photo caption explains
all or part of a rhyming couplet; "Eight flowers fed on dirt and showers."
The captions identify crested dwarf iris, star chickweed, trillium,
and lady slippers. Five nests are also identified. The pages
for "Ten trees whose innumerable leaves clean the air for everything
that breathes." can prompt a discussion of photosynthesis or air pollution.
Upper Peninsula teachers will want a copy for their own rooms and other
teachers will want copies available to use with biome studies. This is a
picture book for all age groups and is a necessary addition to school, public,
and home collections.
Mary Ann Paulin; Director, Superiorland
Preview Center
Maccarone, Grace. A CHILD'S GOOD NIGHT PRAYER. Illus
by Sam Williams.
New York: Scholastic, 2001. 32p.
00-41929 0-439-23505-7; hb., $10.95
PreS-K 291.4
This bedtime book begins with "Bless the moon/Bless
the Stars" and ends with "Bless the children everywhere." In between
those blessings, the child blesses the night-light, trucks, bears, family,
pillows, water, earth, air and eight other items. This nondenominational
book makes a good evening read-aloud.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Melmed, Laura Krauss. THIS FIRST THANKSGIVING DAY: A COUNTING
STORY. Illus by Mark Buehner.
New York: Harper, 2001. 32p. 0-688-14554-X;
hb., $15.95 0-688-14555-8; lib.bdg., $15.89
94-14215 PreS-Gr. 3 811.54
There is a short poem for each number up to a dozen.
The numbers alternate between Pilgrim children and Native American children.
All the work readers see is done by "sweet looking" children.
The last double page spread, for the number 12, shows the "Wampanoag and
Pilgrim friends/together will break bread." This is a very idealistic
view of the First Thanksgiving Day.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Moore, Clement C. THE NIGHT BEFORE CHRISTMAS. Illus.
by Bruce Whatley.
0-06-026608-2; hb., $16.95 0-06-028380-7;
lib.bdg., $16.89 97-34352 811.2
On the surface this is a well-illustrated rendition
of a famous Christmas poetry classic. The illustrations are large
enough to share with a group of children at a public library story hour.
The expressions in the eyes of the reindeer is priceless and Santa's twinkle,
rosy cheeks, cherry red nose and white beard are many people's picture
of Santa.
The text of this poem is told in the first
person by the father who is the main character in text and illustrations
in this attractive picture book. The story within a story makes
this book multidimensional. The nonverbal story that takes place will be
of interest to adults. When Santa sees a picture on the mantle of
a boy in short pants with lariat, he points to the boy and the man points
to himself. Then Santa winks and gives the man a small cowboy figure
who looks remarkably like Roy Rogers. This will appeal to grandparents
and entice them to purchase the book and read it to their grandchildren.
The wonder on the man's face brings the magic of holiday giving alive.
The small toy cowboy contrasts to the larger
ones in Santa's bag and a more modern race car driver which represents
a newer generation than the narrators. Children will see and hear
one dimension of the story but parents and grandparents will see another
from the illustrations. If you need another copy of this favorite
Christmas poem, this is an excellent addition to school, public and home
librarians.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI 49855
Moore, Clement C. THE NIGHT BEFORE CHRISTMAS: A VISIT FROM
ST. NICHOLAS. Illus. by Max Grover.
San Diego: Browndeer/Harcourt, 1999.
32p. 0-15-201713-5; hb., $16.00
98-15890 PreS-Gr.3+ 811.2
or E
Bright folksy acrylics illustrate this favorite
Christmas poem. Grover uses humor in his illustrations and adds
an "Identification Chart: How to Recognize Santa" which draws eyes to
his rosy cheeks, dimples, nose like a cherry, ashes and soot, etc.
The last picture shows a cat and mouse finishing off the crumbs that Santa
left on his snack plate. This tongue in cheek inclusion makes this
book humorous enough to use with students past primary grades. If
you need another copy of this favorite holiday poem, you can't go wrong
with this one. Highly recommended.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Myers, Tim. DARK SPARKLE TEA AND OTHER BEDTIME POEMS. Illus.by Kelley
Cunningham.
Honesdale,
Pennsylvania: Boyds Mills Press,
Inc., 2006. 31p.
$16.95. Gr. 4-8 j 811.54
The title, DARK SPARKLE TEA, is the poetic name for Sagittarius, and is
one of 22 wonderful bedtime poems that run the gamut from silly to reassuring.
The rhythm and tongue-twisting challenges make reading them aloud very
entertaining, even for grownups! The pastel illustrations transport the reader
to the scenes of children's dreams, and wishes, and even offer lessons in
astronomy.
Judy Bennett, Clerk, Ironwood Carnegie Library, Ironwood, MI
Myers, Walter Dean. HERE IN HARLEM: POEMS IN MANY VOICES. New York: Holiday House, Inc., 2004. 88p. ISBN 0-8234-1853-7 $16.95 hb. Gr. 7-12 YA 811.54
Myers has written many stories based in Harlem, but this volume is quite unique in its format. The author has written each poem from the point of view of people in the community, such as a blues singer, a teacher, the unemployed, a laborer, and more. The authentic photographs are not historical, but they definitely enhance the poetry. This is a young adult selection, but would provide a great reading experience for adults of all ages. Lynette Suckow, Youth Services, Peter White Public Library, Marquette, MI
Nelson, Marilyn. A WREATH FOR EMMETT TILL. Illus.by
Philippe Lardy. Boston, MA:
Houghton Mifflin, 2005. Unp. ISBN: 0-618-39752-3
hb. $17.00. YA 811.54
A WREATH FOR EMMETT TILL. Yes, that Emmett Till, the 14-year-old
black child who was murdered in 1955 in
Mississippi by five white men for reportedly whistling at a white woman. Read this beautifully illustrated, masterfully written,
commemorative book slowly and carefully. The subject matter will unsettle
everyone's sensibilities-young adult through all of adulthood. It is jarring
to be reminded of "innocence slaughtered by the hands of hate." The symbolism
of plants and flowers [rosemary for remembrance] are entwined with blunt,
yet eloquent, words about a horrible loss and the "consciencelessness" of
the deed, time and place. Author Marilyn Nelson, who teaches English
at the University of Connecticut, has won many awards for her poetry. She
says in her notes that the style is a heroic
crown of sonnets, 15 sonnets in which a variation of the last line of each
becomes the first line of the subsequent sonnet. She says concentrating
on the complexity of form insulated her somewhat from the depressing events
she was describing. Nothing insulates the reader, however,
from this painful page of history. Rightfully, so.
Judy Bennett, Library Clerk, Ironwood Carnegie Library,
Ironwood, MI
Prelutsky, Jack. HALLOWEEN COUNTDOWN. Illus by Dan
Yaccarino. New York:
HarperFestival, 2002. 18p. 0-06-000512-2;
bd.bk., $6.99 BB
This Halloween board book is not too scary until the
end when the ghost on the double-page spread says “Boo!” The text,
originally published as a poem called “Countdown,” was published in a book
by Prelutsky called IT’S HALLOWEEN (Greenwillow, 1997). This
counting poem makes an age appropriate board book to help preschoolers
count down from ten ghosts who reside in a variety of places like the attic
or kitchen to only one ghost. Although this is a Halloween poem, it
could be placed with board books because ghosts are popular all year long.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Prelutsky, Jack. AWFUL
OGRE’S AWFUL DAY. Illus by
Paul O. Zelinsky. New York:
Greenwillow, 2001. 40p.
0-688-07778-1; hb., $15.95 0-688-07779-X
lib.bdg., $15.98.
99-054232 Gr.
2-6+ j811.54
All of the 18 poems are told in the first person by an ogre. The poems are suitably grotesque; for example, in the first
poem the ogre wakes up to his buzzard, tarantula, and piranha.
Spending the day with an ogre, and Jack Prelutsky’s poetry, may
convince intermediate and middle school students that poetry can be fun.
Mary Ann Paulin, Director, Superiorland Preview Center, Marquette, MI
Rex Adam.
FRANKENSTEIN TAKES THE CAKE.
Illus. by Adam Rex. Orlando,
FL:
Harcourt Children's Books, 2008. 40p. ISBN: 978-0-206235-4
hb. $16.00 Gr. 4-7
j811.6
Ghoulishly funny poetry and illustrations that range from graphic,
digital and pencil and oils add to the fun.
Repeated readings are just as laugh inducing as the first. "Off the
top of My Head, the Official Blog of the Headless Horseman" is one of the
fiendishly funny offerings. The object of other offerings are Edgar Poe, ads for
a water pail diet, Dracula and the graphic art story of the Frankenstein's and
his undead bride's wedding. Fun for older children, 'tweens and teens. Adults
will not be immune to the fun.
Barbara Ward, Children's Librarian, Dickinson County Library, Retired
Rosenthal, Betsy. MY HOUSE IS SINGING. Illus. by Margaret
Chodos-Irvine. New York:
Harcourt, Inc., 2004. unp. 0-15-216293-3
hb.; $16.00 Gr. K-5 E or 811.6
Rosenthal walks us through the house, using
poetry to note some of the objects and routines found in many homes.
She even throws in some concrete poetry about the picture gallery
in the hall and the ants finding food on the kitchen counter. This
book would be great to read aloud or to use as a starting point for units
on poetry or our homes. The illustrations are distinctive and add
to the book's allure. Each poem is featured within an illustration
in easy to read print.
Lynette Suckow, Youth Services, Peter White Public Library,
Marquette, MI
Rylant,
Cynthia. LUDIE’S LIFE.
New York, NY: Harcourt,
Inc., 2006. 116p.
ISBN 0-15-205389-1 hb. $16.00
Gr. 7-10 j811.54
This story narrates Ludie’s life through a collection of short poems. The book follows Ludie from her childhood home to her long life in West Virginia and chronicles her struggle to live a life she would not have chosen for herself, if she’d had the means to live better. The poetry reveals Ludie’s joys and fears as her life in a mining community changes in beat to a modern world. This story is well-written and would make an excellent addition to school and public libraries. Lynette Suckow, Youth Services, Peter White Public Library, Marquette, MI
Rylant, Cynthia. BORIS. New York: NY: Harcourt, Inc., 2005. 74p. ISBN 0-15-205809-5 pbk. $5.95
Gr. 6-9 j811.54
This collection of poems takes the reader on a cat-lover’s adventure with Boris, a very special pet. The narrator adopted Boris and his sister from the Humane Society and opened up her home to this mysterious, loveable cat who took over the house with no intent to apologize for his feline ways. Readers will gain greater understanding of cats and their owners through this short, easy-to-read poetry. Lynette Suckow, Youth Services, Peter White Public Library, Marquette, MI
Salas, Laura. A FUZZY-FAST BLUR.
Mankato, Minnesota: Capstone
Press, 2009.
32p. ISBN: 978-1-4296-1704-8 hb. $23.93
Gr. K-3
j811.6
Photography and text are perfectly matched in this volume of poetry. A
cuddly rabbit, sleepy felines, goldfish and guinea pigs are some of the popular
pets pictured with appropriate poems. Add some yuck with drooling dogs and a
hairy tarantula, then top it off with something to thrill kids who always seem
to be fascinated by anything gross; in this instance, a two page spread of a
snake dining on a mouse whose tail protrudes from the snake's mouth.
Apparently a last morsel to be devoured. "I'll make it easy, I'll
open wide, I'll hope that you will slide inside.” Can you hear the ooooohs? A section at the back of the book
clearly describes five kinds of poetry and refers each to a poem which clearly
demonstrates it. The description of a couplet, rhyme, rhythm and simile is an
additional teaching tool, which makes this book a good addition to school and
public libraries.
Barbara Ward, Children's Librarian, Dickinson County Library, Retired
Salas, Laura. STAMPEDE!
POEMS TO CELEBRATE THE WILD SIDE OF SCHOOL.
Illus. by
Steven Salerno. New York: Clarion
Books, 2009. 31p. ISBN:
978-0-618-91488-3
hb.
$16.00. Gr. 3-5 NF 811.6
A silly
book of poetry for those first days at school or when moving to a new school.
Kids will enjoy the humorous rhymes and be encouraged to invent their own.
Pictures are colorful and as quirky as the poems. This book would be great for
beginning of the year icebreakers or for "get the giggle & wiggles
out" transitions during the day.
Charlotte
Dugas, Library Director, Munising School Public Library, Munising, MI
Spinelli, Eileen. SONG FOR THE WHOOPING CRANE. Illus
by Elsa Warnick.
Grand Rapids: Eerdmans, 2000. 32p.
0-8028-5172-X; hb., $16.00 00-022937 j811.54
The watercolor illustrations help readers understand
the changing of the seasons as they relate to the whooping crane and
significantly enhances the text. Warnick has captured the whooping
crane physically and spiritually while they engage in a variety of activities.
The poetry is simple but eloquent “In the far North/when October spills/across
the ice/and the wind sweeps high/the wild whooping cranes fly.” .
During the course of the poem, readers learn what the cranes eat, the
noise they make, what the baby looks like, their graceful dance, and their
migration. “Now they are one of the rarest birds in North
America…” on the first page and “May it always be so” on the last page
give it an ecological spin. The total effect of text and illustration
shares the magnificence of these birds. This is an excellent example
of a good science book for children. Don’t miss this one.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Yolen, Jane. SNOW, SNOW: WINTER
POEMS FOR CHILDREN. Photos by
Jason Stemple.
Honesdale, PA:
Wordsong/Boyds Mills, 1998. 32p.
ISBN 1-56397-721-4 lib.bdg., $16.95 97-76914
Gr. 3-5
811.54
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Whether this book is read sideways or in the
traditional position, readers will be drawn into the poems and illustrations.
The realistic illustrations look like they incorporate photos and often encompass
the poem and enhance it. The senses of touch, taste, and sight are
engaged. Adoff, a winner of the NCTE Award for Excellence in Poetry
for Children, lives up to his reputation and is aided immeasurable by
Desimini. This is a worthy addition to poetry collections.
Mary Ann Paulin; Director, Superiorland Preview
Center
Baird, Audrey B. A COLD SNAP: FROST POEMS. Illus.
by Patrick O’Brien. Honesdale, PA:
Wordsong/Boyds Mills, 2002.
32p. 1-56397-633-1 hb. $15.95 2001-099069 Gr. 1-6
811.54
The 22 poems are enhanced by the expressive illustrations
that are often part of the poetry but do not overwhelm the type.
The last illustration, about the polar bear that becomes part of a child’s
quilt, is perfect for the one sentence poem, “Add It Up.” A few
of the poems are in rhyme but most are prose poems. Teachers will
appreciate this picture book for teaching about prose poetry or winter.
Others will simply enjoy it.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Bolin, Frances S, ed. THE BLACKBIRCH TREASURY OF AMERICAN POETRY.
Illus by Steven Arcella. Woodbridge, CT:
Blackbirch, 2001. 288p. 1-56711-472-5; hb.,
$34.95 Gr. 4-10 811.08
This anthology is a compilation of six books previously
published by Magnolia or Sterling. According to OCLC’s Books in
Print Online, the books listed on the verso of the title page are still
in print from Sterling at $14.95 for 48 pages. However, this compilation
includes those six books and is about a third the price so it is a good
value. Arcella illustrated the Sandburg book and Bolin edited the Sandburg
and Dickinson books. The other three books list editors and illustrators
other than the two responsible for this edition. The six American poets
included are: Emily Dickinson; Robert Frost; Henry Wadsworth Longfellow;
Edgar Allan Poe; Carl Sandburg; and Walt Whitman. The poets are arranged
neither in alphabetical nor chronological order by poet. However,
the contents and index help readers find each poet and poem. The
book begins with a biography of each poet. On the bottom of each
page are brief notes about the poem or glossary of terms. The illustrations
add interest to the poems without annoying overlays. If you need
more poetry by these American classics, don’t hesitate to purchase this
title.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Brown, Margaret Wise. NIBBLE NIBBLE: POEMS FOR CHILDREN. Illus by Leonard Weisgard.
New York:
HarperCollins, 1959. 0-06-027997-4; hb. $15.95 84-43128
Pres-Gr. 3 811.52
If your copy of this classic book of 25 nature
poems is tattered or missing, here is the opportunity to replace it.
The soft green illustrations still complement the poems and appeal to
readers even though modern illustrations in other books are flashier.
"How Do You Know It's Spring?" is the perfect poem to read aloud when
studying either the senses or seasons. Have students close their
eyes to smell and hear Spring and Fall. "Song of Summer" is also
a good read aloud when studying seasons. Several more poems are
appropriate for Fall. Brown and Weisgard are a winning combination;
then and now.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Brown, Marc. SCARED SILLY! A HALLOWEEN BOOK FOR THE BRAVE.
Boston: Little, 1994. 64p.
93-13501 0-316-10372-1; pb., 7.95 Gr. K-4
810.8
Over thirty poems, riddles, jokes, stories, and games
make Halloween even more fun than it is. The cast of authors,
besides Brown, is impressive: Yolen, Nash, Viorst, Ciardi, Prelutsky,
Livingston, Schwartz, and more. Brown even includes the recipe
for playing the well-known spooky game he calls "How to Scare Your Friends"
that includes blindfolding friends and have them touch eyeballs that are
really peeled grapes and vomit that is really cooked oatmeal as well as
5 other items. This book is a first purchase for Halloween collections
and the paperback price makes it affordable for classrooms.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Clinton, Catherine., ed. I TOO, SING AMERICA: THREE CENTURIES
OF AFRICAN
AMERICAN POETRY. Illus.
by Stephen Alcorn. Boston: Houghton Mifflin,
1998. 128p. 0-395-89599-5; hb., $20.00
97-46137 Gr. 5+
712.2 or 811.08
This poetry anthology of 35 poems by 25 African
Americans (equally divided between men and women) has an added feature;
biographies of the poets are included with a separate paragraph about
their poetry. Among the poets are Wheatley, Du Bois, Bontemps,
Hughes, Walker, Brooks, Agnelou, Giovanni, Walker, and Dove. At
least three pages are devoted to each poem, one for the poem, one for
the poet, and one full-page illustration. In many cases, a divider
page with a design on it keeps the poets separate from each other.
This works in all but two cases. For instance, "Lift Ev'ry Voice
and Sing" is opposite the biography of Paul Laurence Dunbar. Most
people know that J. W. Johnson wrote the song and not Dunbar. However,
Lorde's "Rites of Passage" is not universally known and is opposite the
biography of Amiri Baraka; no poet is listed for the poem so
confusion could take place. Nevertheless, this is a collection of
noteworthy poets, three of whom are Pulitzer Prize winners and one who
was poet laureate of the U.S. This anthology provides balance to collections
that are top heavy with poetry by Europeans and their American descendants.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Cotner, June, ed. AMAZING GRACES: PRAYERS AND POEMS FOR
CHILDREN.
New York: HarperCollins, 2001. 60p.
0-688-15566-9; hb., $12.95. 0-688-15567-7;
lib.bdg., $12.89. 99-029158
PreS-Gr. 3 242.8
Poems are divided into chapters for morning, mealtime,
bedtime, and anytime. The index, arranged by titles includes authors
within the entry. Poets come from a wide range of backgrounds
and times: L’Engle, Emerson, Farjeon, Browning, Nash, Cummings,
Schweitzer, Merriam, Grimes, several unknown, and numerous lesser known
poets are included. Birth and death years are given for the poets.
Children are sprinkled throughout the book in the illustrations.
Mary Ann Paulin, Director; Superiorland Preview
Center, Marquette, Michigan
Cumming, Monica. UNDER THE BREADFRUIT TREE: ISLAND POEMS.
Illus. by Fabricio Vanden Broeck. Honesdale,
PA: Boyds Mills, 1998. 48p.
1-56397-539-4; hb., $15.95
91-91408 Gr. 2-5 811.220
Black and white scratchboard illustrations accent 36
poems based on the poet's childhood experiences in Jamaica. The
poems are about family, friends, and daily activities in a rural setting
of days past. The poem about the storyteller is particularly
poignant. A glossary of unfamiliar terms at the beginning
of the book helps readers to understand the poems. Jamaica
is such a colorful place that it is unfortunate the illustrations couldn't
be in color as Lessac's were in Gunning's NOT A COPPER PENNY IN ME HOUSE:
POEMS FROM THE CARIBBEAN (Boyds Mills pb., 1999). However, Broeck's
illustrations are expressive and catch the essence of the poems. Use
these poems to show the universality of family and friendship in other
times and other places or to teach characterization.
Mary Ann Paulin; Director, Superiorland Preview
Center
Cunningham, Julia. THE STABLE RAT AND OTHER CHRISTMAS POEMS.
Illus. by Anita
Lobel. New York: Greenwillow, 2001. 24p.
0-688-17799-9 hb. $15.95
Gr. 2-5 811.54
Lobel's illustrations provide a wonderful background
for Cunningham's nine Nativity poems. Space was created within
the illustrations so that the text is clealy visible. However, the
white space that appears vertically on both sides of the illustrations/poems
looks like an attempt to keep the illustrations from falling into the
gutters. This makes the book less than an artistic masterpiece
that could win a Caldecott Medal. The book is still a pleasing holiday
poem anthology worthy of being on public library shelves.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Cyrus, Kurt. ODDHOPPER OPERA: A BUG'S GARDEN OF VERSES.
New York:
Harcourt, Inc., 2001. 30p. ISBN: 0-15-202205-8
hb. $16.00 Gr.K-3 811.54
This book covers a whole season in a garden from
the viewpoint of various bugs. It begins "Once upon a garden rotten,
twice forlorn and half forgotten…" and rhymes its way through the growing
season. The illustrations are extremely detailed, colorful, and
all are done from the close-up lowdown level of a bug's eye. Every
reader will never look on a garden again, as just being a collection
of plants. The verse is fun and there is further story detail to
be followed within the illustrations themselves. Kids will love the
rhythm and the dirty, sometimes gory (from a bug's viewpoint) view of the
garden at ground level. This is a winner!
Kay T. Elzinga, Superiorland Cooperative Board
Member, Marquette, MI
Duggan, Paul. TWO SKELETONS ON THE TELEPHONE AND OTHER
POEMS
FROM TOUGH CITY. Illus by Davie
Sylvestre. Brookfield, CT: Millbrook, 1992. unp.
0-7613-1451-2; $20.40 Gr.
4-8 811.54
Caution! Do not read these poems aloud to a group
of children before reading them first. What appeals to kids in private
is not necessarily what you want to read aloud, even at Halloween time.
The title poem is one to read aloud to teenagers who have their
ears glued to a phone. Choose the others carefully. Let the
kids find this one to read to themselves. These gross Halloween
poems will appeal to intermediate and middle school boys.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Eastwick, Ivy O. I ASKED A TIGER TO TEA AND OTHER POEMS.
Comp. by Walter B. Barbe. Illus by
Melanie Hall. Honesdale, PA: Boyds Mills, 2002.
32p. 1-56397-515-7; hb., $15.95
Gr. 2-6 2001-098539 811.54
The twenty poems are divided into four topics: nonsense
and humor; nature’s world; seasons and weather; and wishes, dreams,
and fancy. The book ends with parts of an article Eastwick wrote
for Highlights for Children called “Becoming a Poet.” The poems are
a combination of prose and rhyming poems. There is no list of sources
for the poem but since the compiler is editor-in-chief of Highlights magazine,
it may be assumed that the poems were gleaned from past issues. Fans
of the late poet will enjoy this new collection.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Field, Edward. MAGIC WORDS. Illus. by Stefano Vitale.
Photos by Ted Morrison.
San Diego: Gulliver/Harcourt, 1998. 32p.
0-15-201498-5, hb., $17.00 96-20465
Gr. 3-9+ 811.54
PAULIN'S PICKS citation.
At the beginning of the book "A Note About the
Poems," Field explains that this collection comes from the journals of
Knud Rasmussen; a half Inuit, half Danish explorer, who traveled
through Greeenland in the early 1900s. The Inuit creation poems are
illustrated with oil paintings on rock, wood, bark and natural elements
for a perfect match of illustrations and text. This book is a necessary
addition wherever Inuits (Eskimos) are studied or where poetry and nature
are appreciated.
Mary Ann Paulin; Director, Superiorland
Preview Center
Fisher, Aileen. I HEARD A BLUEBIRD SING: CHILDREN SELECT THEIR
FAVORITE POEMS. Edited by Bernice
Cullinan. Illus by Jennifer Emery.
1-56397-191-7; hb., $18.95
2001-098609 Gr. K-7
811.54
The 41 poems by the 1978 winner of the NCTE poetry
award were chosen by children who were introduced to them by the teachers
and librarians listed at the beginning of the book. The book includes
a black and white watercolor of the poet and excerpts from an article and
interview in Highlights for Children magazine. Illustrations are in
shades of black and gray. The poems are organized into five broad topics:
family and friends; pets; clever creatures; wild ones; and weather and seasons.
Fisher’s poems are eminently child pleasing and work well with curriculum
topics. At the end of the book there is a bibliography of 26 anthologies
by Fisher, a list of permissions, and a title/first line index.
Purchase for school and public libraries. This Colorado poet
was born in Iron River, Michigan.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Fleischman, Paul. BIG TALK: POEMS FOR FOUR VOICES. Illus
by Beppe Giacobbe.
Cambridge, MA: Candlewick, 2000. 0-7636-0636-7;
hb, $14.99. 811.54
Readers who know Fleischman’s Newbery winner, A
JOYFUL NOISE: A POEM IN TWO VOICES (Harper,1988 ), will love his new
book which is for four voices. In order to keep the parts straight,
they are color coded in pale green, beige, mauve, and lavender. The
three poems are progressively more difficult. Intermediate and middle
school students will especially enjoy performing the middle poem, “Seventh
Grade Soap Opera” which keeps listeners up to speed on the activities of
classmates. Buy this book in school and public libraries to help make
poetry come alive.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MIt
Florian, Douglas. BOW WOW MEOW MEOW; IT’S RHYMING CATS AND DOGS.
San Diego: Harcourt, 2003. 48p. 0-15-216395-6;
hb., $17.00 K-Gr. 3 811.54
There are eleven poems about dogs and ten poems about
cats in this picture book poetry anthology. The cats include domestic
and even bigger ones like leopards and panthers. Florian is a
master of humor and this book is up to his usual standards. His
watercolor illustrations on brown paper bags are child appealing.
Mary Ann Paulin, Director; Superiorland Preview
Center, Marquette, Michigan
Florian, Douglas. IN THE SWIM. Illus by author.
San Diego: Harcourt, 2000. 46p.
0-15-201307-5; hb., $16.00. 0-15-202437-9; PB.,
$6.00. 99-10702. Gr. 1-4. 811
Libraries that do not contain the hardback, need to
have this paperback edition. The watercolor illustrations add to
these 21 short humorous poems about creatures that live in the sea including
catfish, manateees, clams, and Tetra. “The Sawfish,” is written in the
shape of a saw. Teachers at all levels will use these poems when fish
or the ocean is studied. Add this book to BEAST FEAST (H, 1994),
ON THE WING (H, 1996), INSECTLOPEDIA (H, 1998), and
MAMALABILIA (H, 2000).
Mary Ann Paulin; Director, Superiorland
Preview Center
Florian, Doughlas. LAUGH-ETERIA. Illus by the poet.
San Diego: Harcourt, 1999.
160p. 98-20047 0-15-202084-5;
hb., $17.00 Gr. K-6 811.54
Over 150 poems are illustrated with brush and black
ink sketches that add to the humor of the poems. One of the poems,
"Good Humor," is typical of the total book: "The poems in this book are
meant to be humorous./If they are not,/Please laugh just to humor us."
Most of the poems are excellent for reading aloud. This is the best
poetry anthology of the year. Purchase for all school, public, and
home libraries.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI 49855
Florian, Douglas. LIZARDS, FROGS, AND POLLIWOGS: POEMS AND
PAINTINGS.
San Diego:
Harcourt, 2001. 48p. 99-50830
0-15-202591-X; hb., $16.00
Gr. K-6 811.54
Florian's childlike watercolors complement his poems
in this picture book. The 21 poems are about creatures like Newts,
Iguanas, Gila Monsters, Chameleons, Cobras, and Diamondback Rattlesnakes.
Some of the poems like "The Skink," "The Gecko," and "The Python," are
concrete; all are enjoyable. Use "The Red-Eyed Tree Frog"
to introduce Cowly’s THE RED-EYED TREE FROG (Scholastic, 1999) and
"The Poison-Dart Frogs" to introduce Fridell’s THE SEARCH FOR THE POISON-DART
FROGS (Watts, 2001.) Teachers will love these humorous poems
to add zest to science units.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI 49855
Florian, Douglas. MAMMALABILIA. Illus by author.
San Diego: Harcourt, 2000.
46p. 0-15-202167-1; hb., $16.00.
99-10702. Gr. 1-4. 811
These 21 poems about animals range from aardvarks to
tigers. The illustrations have a child-like feel and one of the
three concrete poems is “The Bactrian Camel” which is written in a wavy
line with a double hump. The shortness of the poems, from one line
to twelve lines, makes these poems accessible to the youngest or most disinterested
readers and listeners. Many of the poems are humorous and the paintings
add to the humor. Florian always makes poetry fun and this book
is no exception. Place this book at the top of your poetry list in
libraries of all types.
Mary Ann Paulin; Director; Superiorland Preview
Center
Florian, Douglas. OMNIBEASTS. Illus. by author. San
Diego, CA: Harcourt, Inc., 2004.
96p. 015-20538-8 hb. $18.00 Gr. 2-6
811.54
Readers of all ages will be taken with these funny short
poems filled with animal facts. Poetry in all shapes and sizes is accompanied
by watercolor illustrations in rich hues. Every classroom and library
will want a copy of this unusual and entertaining poetry.
Lynette Suckow, Peter White Public Library,
Marquette, MI
George, Kristine O’Connell. LITTLE DOG AND DUNCAN.
Illus by June Otani. New York: Clarion,
2002. 40p. 0-618-11758-X;
hb., $12.00 2001-028481 PreS-Gr. 3 811.54
Duncan is a big dog and Little Dog is….little.
While his family is away, Duncan comes to stay with the smaller dog
and a female preschooler with Asian eyes. The watercolor illustrations
show the two dogs and girl in a variety of situations, some are humorous
and some are emotional. The poems contain easy to read vocabulary
enhanced by an 18-point font. Although Little Dog welcomes his larger
friend, he draws the line at sharing his mistress’ lap. Fans of George’s
LITTLE DOG POEMS (Clarion, 1999) will appreciate this book also.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
George, Kristine O’Connell. SWIMMING UP STREAM: MIDDLE SCHOOL
POEMS.
Illus by Debbie Tilley. New York: Clarion,
2002. 80p. 0-618-15250-4 hb., $14.00 Gr. 6-8
j811.54
This is an essential middle school purchase!
Teachers should read the first eight poems aloud to students during the first
week although it may take a few weeks before students can see the humor in
the poems. The eighth poem includes a phrase from the title of the anthology.
The last poem, “The Last Day of School,“ can be read first and then the
whole anthology can be read aloud at the end of the school year to show
how much the students have grown during the past year. Although the
poems are written from the point of view of a middle school girl who survives
and then makes sense of her middle school experience, those first poems
are generic enough to be enjoyed by both males and females when read aloud.
In fact the narrator has a friend named Zach and a boyfriend named Ryan.
“Field Trip,” page 65 is about the beginning of her relationship with Ryan.
Media specialists will be inspired by “School Librarian,” a poem
on page 35. George captures the essence of the middle school experience
along with the ageless illustrations. Highly recommended for
Middle School and public libraries.
Mary Ann Paulin, Director; Superiorland Preview
Center, Marquette, Michigan
Goodwin, Laura. BARNYARD PRAYERS. Illus. by Brian Selznick.
New York:
Hyperion, 2000. 30p. 0-7868-0355-X; hb., $14.99. Gr. PreS-Gr.2 811
According to the beginning and ending illustrations,
a city boy plays with his toy barn and farm animals. The
toys move the boy and animals into a fantasy setting to introduce the
17 prayer/poems. The first poem, "The Pig's Prayer," assumes that
the farm is an old fashioned one in which a farmer has time to scratch
the head of his pig who lives in the mud. A fox prays for "one fine
fat hen." The shortest prayers by the mouse and the
sparrow are even humorous. Other animals include: spider, hen,
cow, bee, colt, goat, gnat, gosling, duck, dog, cat, donkey, and sheep.
Because the boy is in bed with his toy animals at the end of the book,
this title also functions as a quieting or bedtime story.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Greenberg, David T. WHATEVER HAPPENED TO HUMPTY DUMPTY? AND OTHER SURPRISING
SEQUELS TO MOTHER GOOSE
RHYMES. Illus. by S. D. Schindler. New York: Little,
1999. unp.
0-316-32767-0; lib.bdg., $14.95. 97-14173. Gr. 2-8+
811.54 or 398.8
The original nursery rhyme is followed by verses explaining
what happened to the characters after the familiar verse finished.
Although the rhymes are funny when read aloud, they are gross enough
to tickle the fancy of junior high students who are writing their own
fractured fairy tales. For instance, when Humpty Dumpty was broken,
his yoke was put into a blender with the top off and people are still
cleaning him off a wall. Nimble Jack caught fire in a flash and
all that is left of him is ash; now he is buried in a box–jack-in-the-box.
The wolf who threatened this little piggy and his friends is now working
on a chain gang pulverizing stones to be used for building wolf-resistant
homes. Peter the Pumpkin Eater's wife is tired of being stuck in
melons and coconuts and turns the tables on Peter. Paraphrasing
the parodies for this review does not do them justice. To appreciate
these poems, you have to read them aloud but read them to yourself first
because not all of them are appropriate for reading aloud to a whole class.
If you can stand one more fractured tale book, this one is better than
most.
Mary Ann Paulin; Director, Superiorland Preview
Center
Greenberg, Jan. HEART TO HEART: NEW POEMS INSPIRED BY TWENTIETH-CENTURY
AMERICAN ART. New York:
Abrams, 2001. 80p. 99-462335 Gr. 5-12+ 811.608
In the Introduction, Greenberg tells how a "group of
distinguished American poets were invited to choose a twentieth-century
American artwork and write a poem stimulated by it. The result is
spectacular. Teachers can ask students to emulate this project.
This book is divided into four parts: Stories “includes poems that conjure
a memory or tell an anecdote; Voices “contains poems in which the poet steps
inside the artwork and assumes the voice of the object or person depicted
there; Impressions “displays the poets' powers of description as they examine
the elements of the artwork and offer vibrant word pictures based on what
is contained there;" and Expressions "explores aspects of visual form that
concern the nature of art and the artist." There are a number of books that match poetry
with famous works of art but they were matched from poetry that already
existed, not inspired by the art. Separate sections of biographical
notes on poets and artists as well as an index conclude the book.
This book serves two purposes, to introduce art and poetry to young people.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI 49855
Griffith, Linda Hill, ed. BLESSINGS AND PRAYERS FOR LITTLE BEARS. Illus by L. Griffith.
New York: HarperCollins,
2002. 32p. 0-06-623689-4; hb.$15.95. 00-054343 PreS-Gr.
1 242.82
The thirteen short prayers are illustrated with full-page
colorful illustrations that feature a bear family and create a “warm
fuzzy” feeling. Some of the prayers are unknown blessings, but
some contain well known first lines: “All things bright and beautiful,”
“Thank you for the world so sweet,” and “He prayeth best, who loveth
best,” and “Now I lay me down to sleep.” The latter has been changed
so that the third line and fourth lines are not “If I should die before
I wake,/ I pray the Lord my soul to take” to the less frightening “Thy love
be with me through the night,/And keep me safe till morning light.”
Six of the prayers are by unknown authors while some are by people of stature
such as Emerson and Coleridge. This will make a handsome gift as well
as be suitable for public library collections.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Grimes, Nikki. IS IT FAR TO ZANZIBAR? POEMS ABOUT
TANZANIA.
Illus. by Betsy Lewin. New York: Lothrop,
2000. unp. 0-688-13157-3; hb., $15.95
0-688-13158-1, lib.bdg., $15.89 96-2335
Gr. 3-8+ 811.54
How can you learn about an African country through
poetry and charming watercolor illustrations and enjoy it? Only
Nikki Grimes could pull it off. Readers learn more about Tanzania
from the thirteen poems and illustrations than any series book on the country.
All of the words in the vocabulary list, except one, are Swahili and
appear in a glossary at the end of the book. The phonetic spelling
is especially helpful. A map showing the Zanzibar Islands off the
coast of Tanzania finishes this outstanding book. Purchase it for
geography and literature classes and for pleasure reading.
Mary Ann Paulin; Director, Superiorland Preview
Center
Harley, Avis. FLY WITH POETRY: AN ABC OF POETRY.
Illus. by the author.
Honesdale, PS: Boyds Mills, 2000.
48p. 1-56397-798-2; pb., $13.95 99-63733 Gr. 2+
Examples of the vocabulary of poetry for each
letter of the alphabet begin with acrostic, black verse, and cinquain.
Most of the examples are common like limerick, sonnet, haiku, free verse,
internal rhyme, and metaphor. Others include xcogito, a
poem containing experimental rhymes, and Zoophabet, a poem in which each
line begins with a creature from each letter of the alphabet.
Your poem, is a section where readers can write their own poems.
The poems, about creatures in nature, are better than the illustrations.
This paperback can be purchased by schools for the library or for the
classroom so teachers can use it to introduce poetry.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Hawkes, Kevin, illus. A CHRISTMAS TREASURY: VERY MERRY STORIES AND
POEMS.
New York: Harper,
2001. 48p. 99-048761 0-688-12039-3;hb., $16.00. Gr. K-4+ 820.8
Five classics make this collection an excellent Christmas
read-aloud: two carols, a poem, a short story, and an excerpt
from a classic book. Selections include: Chapter 5 of Grahame's
THE WIND IN THE WILLOWS, Paine's "Christmas at the Hollow Tree
Inn." two carols "Jolly Old Saint Nicholas" and "The Friendly Beasts,"
and the Moore's poem "A Visit from St. Nicholas."
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI 49855
High, Linda Oatman. A HUMBLE LIFE: PLAIN POEMS.
Illus by Bill Farnsworth.
Grand Rapids: Eerdmans, 2001. 40p.
0-8026-5207-6; hb., $17.00 Gr. 2-7 811.54
The 17 poems are about the Amish and Mennonite communities
in Pennsylvania Dutch Country. All of them, especially "Barn Raising
Day," can be used with Yolen's RAISING YODER'S BARN (Little,
1998). Some of the poems like "Come Spring," "Muggy Summer Nights,"
"Thanksgiving Dinner," "Pumpkins and Mums." and "When the Pond Freezes
Solid" can be read aloud during the appropriate seasons with no connection
to the plain people. The muted oil paintings are a perfect complement
for the text. This poetry book adds diversity to poetry collections.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI 49855
Hines, Anna Grossnickle Hines. PIECES: A YEAR IN POEMS
& QUILTS.
Illus by the poet. New York: Greenwillow/Harper,
2001. 32p. 0-688-16963-5; hb.,
$15.95 0-688-16964-3; lib.
Bdg., $15.89 99-086463 811.54
This book is literally a work of art; a quilting work
of art. Hines’ twenty poems are accompanied by original quilt illustrations
made especially for the poems. At the end of the book there is “The
Story Behind the Quilts” which explains why and how the quilts were made
and the color photos and diagrams of the steps enhance that explanation.
A selected bibliography and web site follow this note. These poems
cry to be read aloud. Teachers from elementary to high school can
use the poems when seasons or the craft of poetry are being taught.
The quilts significantly add to the charm of this book that appeals to
an older audience. This is a first purchase for all libraries serving students
from elementary through college age. Public librarians should show
this book to quilters.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Hoberman, Mary Ann. FATHERS, MOTHERS, SISTERS, BROTHERS:
A COLLECTION OF FAMILY POEMS. Illus.
by Marylin Hafner. Boston:
Little, 1991. 32p. 90-43222
0-316-36251-4; pb., $5.95 Gr. K-5 811.54
This Reading Rainbow Book has been reissued in paperback.
Take this opportunity to replace worn or lost copies or add a new or
additional copy. The paperback is welcome because other editions
are out of print. There are poems for every member of the family:
grandparents, siblings, parents, cousins, and other relatives. The
26 poems are up to Hoberman's high standards and the illustrations enhance
the text. Purchase for school, public, and home libraries.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI 49855
Hoberman, Mary Ann. THE COZY BOOK. Illus. by
Betty Fraser. San Diego: Harcourt, 1995.
48p. 0-15-276620-0; $16.00 0-15-201956-1; pb., $6.00
95-10826 PreS-Gr. 2
Numerous gouache and watercolor illustrations
appear amidst Hoberman's poems to depict senses and feelings, people
and places. Some cozy things include: food; games; smells;
sounds; words; places; people; feelings; activities; items; and finally,
a bedtime book followed by dreams. The poems can be read aloud just for
fun or for teaching concepts. Purchase the hardcover edition for school
or public libraries and paperbacks for personal and classroom collections.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Hoberman, Mary Ann. YOU READ TO ME, I'LL READ TO YOU: VERY
SHORT
STORIES TO READ TOGETHER. Illus
by Michael Emberley. Boston: Little, 2001.
32p. 00-035230 0-316-25240-2;
hb., $15.95. Gr K-8+ . 811.54
The message in this book is clearly stated in the repeated
refrain, "You read to me. I'll read to you." According to
the front blurb, "A portion of the proceeds from this book will be donated
to Lieteracy Volunteers of America." According to the Author's
Note, the book's format and purpose was inspired by Hoberman's work with
the LCA. The text colors (blue, purple, and red) help readers to
decide who reads what. There are colors for reader one and two and
then together. The introductory poem provides the ground rules.
Although it is not spelled out in plain words, the blue is to be read together,
and purple and red are to be read alternately by the two readers.
Since the purpose is for beginning readers, either adults or children, to
read alternately and together, these directions are not easy to follow.
However; if the books are introduced by a Literacy Volunteer or librarian,
they can explain the directions. Teachers and librarians can feature
these books during "Book Holidays" like Children's Book Week, Literacy
Day, National Library Week, and Children's Poetry Week.
The illustrations, done in ballpoint pen, watercolor,
and dry pastel; show animals in humorous situations that involve reading
books and these illustrations add to the humor in the poems. Shelve
this book next to Paul Fleischman’s JOYFUL NOISE: POEMS IN TWO VOICES
and I AM PHOENIX: POEMS FOR TWO VOICES. (Both Harper)
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Hopkins, Lee Bennett (editor). AMERICA AT WAR.
Illus.by Stephen Alcorn. New York:
Margaret K. McElderry
Books, 2008. 84p. ISBN: 978-1-4169-1832-5 hb. $21.99.
Gr. 6-12 j811.008
The 50 war poems featured were authored by writers such as Langston
Hughes, Carl Sandburg, Walt Whiteman, e.e. cummings, and contemporary authors,
less well known--some of them soldiers themselves. The book is divided into
eight sections--each naming a war, from the Revolutionary War to the Iraq War.
Each section has a brief explanation of historical content which includes
the grim numbers of dead and wounded. The poems deal with the grief of
separation and loss written from varying perspectives: sometimes the soldier's,
sometimes a lonely and fearful sibling at home. The poetry is straightforward in describing the horrors of
war. The illustrations add immensely to the emotional impact of the poems. This
book is a counter-balance to those that laud the glory of battle.
Judy Bennett, Clerk, Ironwood Carnegie Library, Ironwood, MI
Hopkins, Lee Bennett, ed. HOME TO ME: POEMS ACROSS AMERICA.
Illus. by Stephen Alcorn.
New York: Orchard/Scholastic,
2002. 32p. 2001-036975 Gr. 3-9+ 811.008
The fifteen poems by fifteen contemporary poets commissioned
by the editor, represent different places people call home like on the
prairie, at the seaside, on an island or mountain, in the desert, on farms,
and a in a city. The poems represent a variety of styles but the
theme is the same--America is a vast country and citizens live in a variety
of places that they call home.
Mary Ann Paulin, Director; Superiorland Preview
Center, Marquette, Michigan
Hopkins, Lee Bennett, ed. HOOFBEATS, CLAWS & RIPPLED FINS:
CREATURE
POEMS. Illus by Stephen Alcorn.
New York: Harper, 2002. 32p. 0-688-17942-8; hb.,
$15.95 0-688-17943-6; lib.bdg., $15.89
2001-024018 Gr. 3-7+ 811.008
The fourteen poems include creatures like rooster,
camel, anteater, buffalo, and owl. The poems contain a variety of type
sizes and styles against a solid colored background. The illustration
opposite the poem looks like an old fashioned etching except that the backgrounds
are lavender, maroon, green, which provide a striking contrast. Five
of the illustrations cover parts of two pages and some of the illustrations
are mismatched at the gutter. Although this does not ruin the illustrations,
it does mar their chances of winning an award. Poems about the
fish, porcupine, and the iguana are concrete. The white type for
the fish poem is on a light Wedgwood blue background and is not easy
to read. The poem about the owl, also using white print, is against
a rose-pink background but is easier to see. Most of the text is
in black type and very readable. The unusual illustrations add interest
to the poems, making this an interesting choice for poetry collections
for intermediate and middle school students.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Hopkins, Lee Bennett, ed. MY AMERICA: A POETRY ATLAS OF THE UNITED
STATES. Illus by Stephen Alcorn.
New York: Simon & Schuster, 2000. 83p.
0-689-81247-7; hb., $19.95 98-47402
Gr. 3-8 811.008
The poems are from 20 contemporary poets and 20 favorites
like Joaquin Miller, Langston Hughes, and Carl Sandburg. The three indexes
are poet, title, and first lines. The poems are arranged by section,
beginning with The Northeast States and ending with the Pacific Coast
States. Each section begins with a map and facts about the states
within the region even if there is not a poem for each state. Intermediate
teachers who need poems to complement the study of states or high school
American literature teachers will appreciate having these poems to share.
Purchase this valuable anthology for school and public libraries.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Hughes, Ted. THE CAT AND THE CUCKOO. Illus by Flora
McDonnell. Brookfield, CT:
Roaring Book, 2002, 2003. 64p. 0-7613-1548-9;
hb., $15.95 0-7613-1548-9; lib.bdg.,
$22.90 2001-038196
Gr. 1-4 821.9
Black, white, and gray illustrations accompany this
small-sized poetry book of 28 poems about animals, insects, and birds.
The poems are more sophisticated than the usual fare for children.
The British nature of the farm animals and the lack of color make this
a less appealing poetry book than others written for Americans. The
late world-renowned poet was the founding president of Farms for City Children,
a British charity that brings urban children to farms. The book
is dedicated to these children and the poems have a British flavor.
Mary Ann Paulin, Director; Superiorland Preview
Center, Marquette, Michigan
Kennedy, X. J. EXPLORDING GRAVY: POEMS TO MAKE YOU LAUGH. Illus by Joy Allen.
New York: Little, 2002.
117p. 0-316-38423-2; hb., $16.95 2001-029282 PreS-Gr. 3-5+
811.54
What a bargain: 87 hilarious poems in one package!
Even if the poems were not funny, may of the subjects are appealing
to kids: dragons, dinosaurs, outer space creatures, roller-coasters, sports,
and a variety of animals. “Italian Noodles: is especially noteworthy
because it contains rhymes that are not only enjoyed by the ear but are
enjoyed by the eye because ravioli rhymes with sloli. Other rhymes include
spaghetti/rhetti, ziti/priti, lasagna/was on ya, and pasta/fasta.
The title poem is a good representative of the contents. This book
will explode off the shelves.
This is a first purchase for school and public libraries, even the
smallest.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Kiesler, Kate, ed. WINGS ON THE WIND: BIRD POEMS.
Illus by K. Kiesler.
New York: Clarion, 2002. 40p.
0-618-13333-X; hb., $14.00. Gr. 2-6 811.008
The 23 poems about birds are from a variety of poets.
This book will be popular with science teachers who want to integrate
poetry into their bird units of study. School and public libraries
should purchase this title.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Knowlton, Laurie Lazzaro. GOD BE IN MY HEART! POEMS
AND PRAYERS
FOR CHILDREN. Illus. by the author.
Honesdale, PA: Boyds Mills, 1999. 32p.
1-56397-646-3., $9.95
98-71793 PreS-Gr. 3
291.4
Fabric collages of amateur quality illustrate
11 short prayers by Knowlton, unknown poets, Psalms and The French Book
of Hours. Knowlton's peace poem is especially good: Dear Lord./Tonight/I
pray for peace with all my might/That kids across the world unite/and
teach our parents not to fight." This collection would be
more suitable for public libraries than public school libraries.
Purchase as needed.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Kuskin, Karla, MOON, HAVE YOU MET MY MOTHER? THE COLLECTED
POEMS
OF KARLA KUSKIN. Illus by Sergio
Ruzzier. New York: Geringer/Harper, 2003. 240p.
0-06-027174-4; lib.bdg., $17.89 Gr.
1-5 811.54
Poems from almost 20 collections and some that are
unpublished, appear in this comprehensive anthology by a poet recognized
by the National Council of Teachers of English. The poems are
extremely child appealing and many are humorous. The whimsical line
drawings do not encroach upon the abundant white space that showcases the
poems. There is a list of sources and a title index. This anthology
will be a classic and should be an essential purchase for school and public
libraries.
Mary Ann Paulin, Director; Superiorland Preview
Center, Marquette, Michigan
Longfellow, Henry Wadsworth. THE CHILDREN’S OWN LONGFELLOW.
Boston:
Houghton Mifflin, 2001. 96p. 0-618-11853-5; hb.,
$16.00 618-11854-3;
Gr. 4+ 811
First published in 1908, this collection of eight favorite
poems by Longfellow is illustrated with eight plates by some of the best-known
artists of the late nineteenth century.” Although this book would
be useful for studying art of that century, the names of the artists are
not given. The poems are all included in other anthologies owned
by libraries. Two are not included in their entirety, only the first
part o“Evangeline” and two sections of “The Song of Hiawatha” are
included. Neither Hiawatha section includes the oft quoted “On the
shores of Gitchie Gumee,” although ”Hiawatha’s Fishing” is a paraphrase of
that famous opening. “Paul Revere’s Ride” is available in separate
appealing picture books that appeal to kids and even “The Village Blacksmith”
appears with more inviting illustrations in other anthologies. The
layout of the poems is monotonous and not appealing to modern kids.
The Publisher’s Note says that “Longfellow has been fitly called the children’s
poet,” but this is not a book that would appeal to the intended audience.
This book would be suitable for university collections or large public libraries
but those libraries probably own anthologies of Longfellow’s poems.
Kids in the nineteenth century might have enjoyed this book, but kids in
the twentieth century will not even give it a second glance and with small
school and public library budgets so strapped, unfortunately, neither, will
collection developers.
Mary Ann Paulin; Director, Superiorland Preview
Center
Okutoro, Lydia Omolola, ed. QUIET STORM: VOICES OF YOUNG BLACK
POETS. New York:
Jump at the Sun/Hyperion, 1999.
102p. 0-7868-0461-0; hb., $16.99 Gr. 6-12. 811.008
The 61 poems in this collection are written by
black students who are under the age of 20 and reflect their thoughts
on subject areas from all over the world. The book is arranged by eight
topics starting with poems about black pride, moving on to poems about self
and spirit to poems about hopes and dreams of a brighter future. The
poetry is very refreshing, moving, and very understandable. There is
nothing objectionable in the language used which makes this book especially
useful in the middle school. Highly recommended!
Barbara Berry, Media Specialist, Kalkaska
Middle School, Kalkaska, MI
Philip, Neil, ed. THE FISH IS ME: BATHTIME RHYMES.
Illus by Claire Henley,
New York: Clarion, 2002. 24p.
2001-042094 PreS 811.008
The eighteen poems selected by Philip are all about
bath time and are all by different poets except for two by the compiler,
Douglas Florian, Dorothy Aldis, Carl Sandburg, Aileen Fisher, and others.
The collection is age appropriate and the individual poems are charming.
This makes an excellent book for personal giving as well as public libraries
of all sizes.
Mary Ann Paulin, Director; Superiorland Preview
Center, Marquette, Michigan
Prelutsky, Jack. AWFUL OGRE’S AWFUL DAY. Illus by Paul
O. Zelinsky.
New York: Greenwillow, 2001.
40p. 0-688-07778-1; hb., $15.95
0-688-07779-X; lib.bdg., $15.98.
99-054232 Gr. 2-6+ 811.54
All of the 18 poems are told in the first person by
an ogre. The poems are suitably grotesque; for example, in the first
poem the ogre wakes up to his buzzard, tarantula, and piranha. Spending
the day with an ogre may convince intermediate and middle school students
that poetry can be fun.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Prelutsky, Jack. IT’S RAINING PIGS & NOODLES. Illus
by James Stevenson.
New York: Greenwillow, 2000. 159p.
0-06-029194-X; hb., $17.95
0-06-0291958; lib.bdg., $17.89 00-024707
Gr. K-6 811.54
Two professionals at the top of their craft combine
to make a poetry anthology that should be purchased by libraries of
various types and sizes. Stevenson’s humorous line drawings are
the perfect complement to the humorous poems by Prelutsky. The
title poem is the first of over a hundred crowd pleasers. The poems
should be read aloud and can be used to introduce fiction and nonfiction.
For example, “Burp” could be used to introduce Swanson’s BURP!
(Kids Can). Some of the poems are concrete like “I Am Stuck Inside
a Seashell.” Some are good for holidays, like “The Time Has Come”
which is about a pumpkin that is starting to smell like sauerkraut.
Some can be read for no reason at all except to entertain. Enjoy!
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Prelutsky, Jack. THE GARGOYLE ON THE ROOF. Illus. by
Peter Sis. New York:
Greenwillow, 1999. 40p. 0-688-09643-3;
hb., $16.00 0-688-16553-2; lib.bdg,
$15.93 99-10578
Gr. 3-6+ 811.54
These seventeen poems can be read aloud any time of
the year but especially for Halloween. The rhymes are pure Pelutsky and
are very clever. In "The Lament of a lonely Troll," he can be reached
at his troll-free number. "My Sister is a Werewolf" is a great poem
to read aloud to middle students who are afraid of being "different."
The lament in that poem is that they wishe she were a vampire like the
rest of her loving family. In "A Vampire Speaks of Circuses," the
narrator likes the ACRO-BATS who are literally flying bats.
The oil and gouache illustrations are the perfect complement for these
poems; poignant but not too scary. School and public libraries won't
want to miss this poetry anthology.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Prelutsky, Jack. SCRANIMALS. Illus by Peter Sis.
New York: Greenwillow/Harper, 2002. 40p.
0-688-17819-7 hb. $16.99; 0-688-17820-0
lib.bdg. $17.89 K-Gr.3 811.54 PAULIN’S PICKS
Nineteen poems are about combinations of animals and
fruit and vegetables flowers or other animals like a potatoad, hippopotamushrooms,
porcupine apple, toucanemones, ostricheetah and more. Sis’s illustrations
bring the words and beasts to life. The combined creatures
are reminiscent of the FORKupines and FLYons in Skutch’s ALBIE’S
TRIP TO THE JUMBLE JUNGLE. (Tricycle, 2001). Use the books
together to inspire readers to create animals of their own.
Mary Ann Paulin, Director; Superiorland Preview
Center, Marquette, Michigan
Rochelle, Belinda,, ed. WORDS WITH WINGS: A TREASURY OF AFRICAN-
AMERICAN POETRY AND ART. Illus by
many African-American artists.
0-688-1641-3; hb., $16.95. 00-26864
Gr. 4+ 811.008
The twenty poems are accompanied by art from 20 artists
to create a range of African-American experiences. The poems and
art represent a gamut of styles, times, and places. The poets are
more familiar than the artists and inclue Lucile Clifton, Countee Cullen,
Gwendolyn Brooks, Alice Walker, Rita Dove, Paul Laurence Dunbar, Langston
Hughes, Nikki Giovanni Maya Angelou and more. Some poets are represented
more than once and Jacob Lawrence is an artist who has two illustrations.
The poems and illustrations are bold and colorful and the total layout of
the book is spectacular. There is a paragraph about each of the poets
and artists at the end of the book to make it even more valuable.
This book brings welcomed diversity to poetry collections.
Mary Ann Paulin; Director, Superiorland Preview
Center
Rogasky, Barbara, ed. LEAF BY LEAF: AUTUMN POEMS. Photos
by Marc Tauss.
New York: Scholastic Press, 2001. 40p.
0-590-25347-6 $15.95. Gr. 3-8+
811.008
Twenty-five short poems, or parts of poems, are accompanied
by expressive photographs. Most of the poems are by famous poets
like Shelley, Browning, Jarrell, Jeffers, Hopkins, Yeats, Lowell, Whitman,
and Poe.Although the poets are recognized, the selections are not easily
found in other anthologies. All the poems are against a photographic
background so that in many instances, it is difficult to read the poems.
Artistically, it looks better to have the text against the photos rather
than providing a blank background. However, having a patterned background
detracts from the poems and readers ability to read them. This is
still a handsome book that offers a variety of autumn poems.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Sendak, Maurice. HECTOR PROTECTOR AND AS I WENT OVER THE
WATER:
TWO NURSERY RHYMES WITH PICTURES.
Illus by M. Sendak. New York:
Harper, 1965, 1993. 56p. 65-8256
0-06-028643-1; lib.bdg., $14.89 Gr. K-2
Sendak's crosshatch illustrations, touched with watercolors,
have been part of these rhymes for almost four decades. This reissue
by the Caldecott, Wilder, and Hans Christian Anderson Medal winner adds
depth to the text. Purchase to replace lost or worn copies.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Shertle, Alice. I AM THE CAT. Illus. by Mark Buehner.
New York: Lothrop, 1999.
0-688-13153-0 hb.$16.00; 0-688-13154-9 lib.bdg. $16.00 Gr. K-4+
811.54
Cat lovers will appreciate these poems. The first
is a story-poem which tells how cats lost their wings. During holidays
that celebrate books, this book could be opened to the short poem and
illustration of a cat with her paw in the book: "Paw by paw she steps/delicately
onto the/book I am reading." "Sophie, Who Taunted the Dogs"
is a gruesome cautionary tale. The double page spread of the cat with a satisfied
look on her face could be shared with classes studying Egyptian history.
"Her amber eyes tell/me that temples were built...once.../to honor the cat."
There is variety in the poems and illustrations. According to the
introduction, Buehner has placed a hidden animal in each illustration but
there is no key for them because they are obvious. You don't have to
like cats to appreciate this book but cat lovers will adore it. Schools
will want to purchase the book for the Egyptian poem. Shertle's book
is a good choice for public libraries because it will be enjoyed by cat
lovers of all ages and because it is an engaging picture book.
Mary Ann Paulin; Director, Superiorland Preview
Center
Sidman, Joyce. EUREKA! POEMS ABOUT INVENTORS.
Illus by K. Bennett
Chavez. 48p. Brookfield, CT:
Millbrook, 2002. 48p. 0-77613-1665-5; lib.bdg.,
$24.90 2002p. 00-056620
Gr. 4-9 811.54
This unique poetry anthology is divided into four sections:
the past, age of invention, a light interlude, and dawn of the modern
age. The prose poems begin with prehistory and the discovery of clay,
Gutenberg and the invention of printing, inventions of Leonardo da Vinci,
ending with the 20th century and Barbara McClintock, Nobel prize winning
scientist, and Tim Berners-Lee, inventor of the World Wide Web. A
sentence about each inventor appears after the title of the poem and a
one-inch biography for the inventors appears at the end of each section.
Some more intriguing inventions are the chocolate bar, dishwasher, bra,
and Velcro. The Real McCoy’s self-lubricated engine is only one invention
accredited to this African-American. There is no index but the people
and page numbers are listed in the table of contents. An index would
have facilitated use for the fourteen major inventors and those listed in
the "light interlude" section that includes people who have had inventions
named after them. Because there is no index, it would have been better
to have the brief biographies listed in alphabetical order at the end of
the book. Even with this flaw, this is a unique book. Purchase
this title for student browsing and for teacher sharing in science classes.
The book can be used as patterns for writing prose poetry about other inventors
or other famous people.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Sierra, Judy. THERE’S A ZOO IN ROOOM 22. Illus by Barney
Saltzberg. San Diego:
Gulliver/Harcourt, 2000. 40p. 0-15-202033-0;
hb., $16.00 99-6708 811.54
or E
Watercolors and colored pencil illustrations add to
the humor of this alphabetically arranged picture book which tells about
pets in the classroom from Amanda Anaconda and Boring Beetle Bill through
Xenia the X-ray fish, and Yorick the Yak. Sierra asks readers to
help name a better pet that starts with Z than the zorilla; a skunk.
The rhymes are zany and fun for children. Read this one aloud!
Mary Ann Paulin; Director, Superiorland Preview
Center
Silverstein, She. A LIGHT IN THE ATTIC. New York:
Harper,1981. 176p.
0-06-623617-7; hb., $22.95. Book and CD
20th Anniversary Edition.
Sony Music, 2001. Performed by Shel Silverstein.
Gr. 3+ 811.54
Shel Silverstein may be gone but he will never be forgotten.
This 20th anniversary edition comes with a CD that contains eleven poems,
including the title poem, read by the poet. Since this a frequently
stolen book, replace it with this combination book and CD or add another
copy because this title is always in demand. Silverstein's own reading
of poems is frosting on the cake. The sound effects add much to the
poems, especially in "Eight Balloons." It is effective to follow
along by reading the poems while listening. However, listeners should
be aware that Silverstein does not read word for word. In the poem,
"Prehistoric" this does not detract from the poem. Not every adult
is going to appreciate all of the poems, like "Clarence" which Silverstein
reads on the CD. Clarence, who believed everything he saw on TV, purchased
a new set of parents and sold the old ones at a garage sale. This
is a sarcastic view of TV, not a prescription for getting rid of parents.
Despite misinterpretations, the book is one of the best poetry books on
the market for students. Purchase, even if you already own one copy.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Spires, Elizabeth. RIDDLE ROAD: PUZZLES IN POEMS AND PICTURES.
Illus by Erik Blegvad. New York:
McElderry/S&S, 1999. 26p. 0-689-81783-5; hb.,
$15.00. 97-36592
K-Gr.4 811.54 or
793.7
Blegvad's watercolors enhance 26 original riddle poems.
The answers are given upside down on the same page. Most of the
answers are everyday items like a road, star, and bell but there are others
like a seahorse, baby teeth, bookworm, and a pincushion. There are
often hints in the poems. The alarm clock includes "It's alarming
how loud I can be!" The hint for the eye is: "I eyeball everything."
The skeleton make[s] no bones about it." The same winning
combination of author and illustrator as in WITH ONE WHITE WING: PUZZLES
IN POEMS AND PICTURES.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Stevenson, James. CANDY CORN: POEMS BY JAMES STEVENSON.
Illus. by author.
New York: Greenwillow,
1999. 55p. 0-688-15837-4 hb. $15.00
Gr. 2-6+ j811.54
Stevenson always packs a lot of punch into his small
poetry books. His title poem can be used to teach similes because
he sees dragon teeth instead of lingering candy corn on the sidewalk the
morning after Halloween. Even if you aren't studying similes, read this
one Nov. 1. "Night," pages 54-55, should be read aloud to school
bus drivers. After hearing four voices talk about their day with the
kids, one assumes they are mothers until readers see the pictures
of the buses on the next page as they say good night by bus number to each
other. The 24 poems are different in style, illustration, and
typesetting, but similar in their poignancy. Buy as many of Stevenson's
books as you can, they never disappoint. This title is Stevenson at his
best; don't miss it.
Mary Ann Paulin; Director, Superiorland Preview
Center
Stevenson, James. CORN-FED: POEMS. Illus by author.
New York: Greenwillow/Harper,
2002. 48p. 0-06-000597-1 hb. $15.95;
0-06-000598-X lib.bdg. $15.89; Gr. 3+ 811.54
There is an advantage to being the poet as well as
the illustrator. Stevenson combines the text and illustrations so readers
depend on the illustrations to understand and fully enjoy the poems.
In "Why Bicycles Are Locked Up," the title and illustrations provide
the punch line to a poem about bikes that might escape after being free.
The poem, "Aquarium," is about fish that look different as opposed to
people who look alike. There are 23 different looking fish in Stevenson's
signature watercolor illustrations. "Point of View" takes two sides
of a catsup bottle and much of the enjoyment of the poem depends on the
illustrations. "Larry's" also depends on the illustrations for understanding
as Stevenson compares cars to hippos, buffalo, and sheep when covered
with snow. Two of the poems are concrete. "Aloe" is
about a plant that dreams of being an octopus and the text curls around
the aloe spears. "The Mall" might look better stacked so the
picture of the mall and the words are stacked. The 25 poems are on
a variety of topics: point of view, cherry picker, recipe, planetarium,
dawn, opossum, and zoo. As usual the type style and
color match the poems and provide variety in the book design. All of Stevenson's poetry books are lively, imaginative, and popular.
This title is even better than the last ones. Purchase for
libraries of all sizes and types.
Mary Ann Paulin; Director, Superiorland Preview
Center
Stevenson, James. JUST AROUND THE CORNER. Illus by
J. Stevenson. New York: Greenwillow,
2001.
56p. 0-688-17303-9 hb. $14.95 0-06-029189-3 lib.bdg. $14.89.
Gr. 2-4 811.54
The twenty-six poems are on familiar subjects like
umbrellas, shoes, a fan, a tow truck, and a windowsill. The whimsical
illustrations are a perfect accompaniment for the poems. The variety
of typeface and concrete nature of some of the poems adds flavor to the poems.
You can't have too many of Stevenson's popular collections of humorous
poems and drawings. Place this beside copies of Stevenson’s
CANDY CORN: POEMS (Greenwillow, 1999) in school and public libraries.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Swinburne, Stephen. BOXING RABBITS, BELLOWING ALLIGATORS:
COURTSHIP
POEMS FROM THE ANIMAL WORLD. Brookfield,
CT: Millbrook, 2002. 32p.
0-7613-2556-5; lib.bdg., $23.90 2001-006485
Gr. 2-6 591.56
A dozen animals are introduced to children through
a patterned poem that includes the words “How do you meet a mate?”
Photos accompany the prose poems that explain how bowerbirds, lizards, bullfrogs,
peacocks, alligators, rabbits, stickleback fish, frigatebirds, hippos,
fireflies, fiddler crabs, and whooping cranes attract their mates.
For example, the peacock preens and shows his magnificent tail to get attention.
A small photo at the end of the book accompanies additional facts about
each animal. The photos, while not distinguished, are adequate.
The subject of the book makes this book ideal for browsing. There
is no index and the animals do not appear in alphabetical order, but the
table of contents has large enough print to see the names of the animals
and the page numbers. This unusual animal book is worthy of consideration.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Thomas, Joyce Carol. CROWNING GLORY: HAIR, A GIFT WRAPPED
RIBBONED CURLED TIED. Illus by Brenda
Joysmith. New York: Cotler/
Harper, 2002. 32p. 0-06-023474-1; hb., $15.95
96-26690 PreS-Gr. 4 811.54
The fourteen poems in this book are all about hair,
a tribute to the author’s mother, a beautician. Each poem appears
clearly against a variety of solid colored backgrounds with full-page
illustrations opposite. The African-American women in the illustrations
are of all ages and the hairstyles are varied; dreadlocked, braided,
curled, natural, adorned with beads, or covered with scarves (art), wigs,
or hats. The book is as valuable for the popular culture as it is
for the poetry.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Willard, Nancy, ed. STEP LIGHTLY: POEMS FOR THE JOURNEY.
New York: Harcourt,
1998. 99p. 0-15-201849-2 hb. $18.00;
0-15-202052-7 pb. $12.00; Gr. 7-12
811.008
Willard has collected poems from newspapers, magazines
and books in shoe boxes over the years that she felt celebrated the
ordinary in an unordinary way. Willard has organized the poetry
loosely by starting in the morning with a poem by Emily Dickinson titled
"Will there reallly be a ‘Morning'?" She works through the
day ending with Denise Levertov's "Writing in the Dark." Some of
the poets are well known while others are just starting out. Some
of the poems are quite complex while many others will appeal to younger
students doing poetry reports. Suitable for junior andsenior high
school collections.
Barbara Berry, Media Specialist, Kalkaska
Middle School, Kalkaska, MI
Wilbur, Richard. THE PIG IN THE SPIGOT. Illus by J.
Otto Seibold. San Diego:
Harcourt, 2000. 48p. 99-6296
0-15-202019-5; hb., $16.00 Gr. 3-6
811.54
The almost 30 rhymes in this book each include word
plays. One of the two words in italics is found within the other;
i.e. "Because a chicken is a hick at heart" or "A throne, friends, is
a seat reserved for one." Sometimes the words rhyme and sometimes
they do not. Gifted students will appreciate the poems and can use
them as patterns for thinking of similar phrases that contain "words within
words." The computer-generated illustrations are bright and surreal.
Most of the illustrations are opposite the poem; a few are integrated into
the pages within the text. Sometimes the background color is the
same for both pages. When the short poem is opposite the picture
in a different color, it is less successful.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI 49855
Writerscorp. PAINT ME LIKE I AM: TEEN POEMS FROM WRITERSCORPS.
Intro by Nikki by Giovanni. New York:
HarperTempest, 2003. 128p. 0-06-029288-1;
lib.bdg., $16.89 0-06-447264-7; pb., $6.99
2002-005942 Gr. 9-12
811.6
The Foreword to this poetry anthology is a poem by
Nikki Giovanni who has long been associated with Writers Corps, a national
nonprofit organization that helps young people to find their voices through
writing. The poems in this book are written by at risk teens in San
Francisco, the Bronx, New York, and Washington, D. C. who have been part
of this program. Besides the poems there is a history of the Writers
Corps and a brief essay by Kevin Powell, “Why I Write Poetry.” Powell
is a poet, journalist, essayist, activist, public speaker, and author of
five books. The poems can inspire teens to create their own poetry
or appreciate poetry written by peers. The poems are divided into chapters:
The Artists, Friendship, I Too Am America, As We Sit Here, Furious, and The
Tree That’s in Front of My House. Each of these chapters begins with
a poetry prompt that teachers can use. One poem called “The Poetry
Circle,” provides rules that teachers can use to introduce that concept.
Because the book is available in paperback, there is no reason that school
and public libraries with the smallest of budgets cannot afford this book.
Also, it makes this book a candidate for a classroom set of books.
Mary Ann Paulin, Director; Superiorland Preview
Center, Marquette, Michigan
Yolen, Jane. HORIZONS: POEMS AS FAR AS THE EYE CAN SEE. Photos by Jason Stemple.
Honesdale, PA: Wordsong/Boyds Mills, 2002. 32p. 1-56397-197-6
hb.
$17.95 Gr. 4-7+ 811.54
The fourteen poems, accompanied by magnificent photos,
are about horizons in various locations that are identified at the end
of each poem. Most of the places are from the American West (AZ,
UT, WY) except for MA, NC, and FL. There are three from Colorado
and four from Scotland. Another is a double exposure from Florida
and Scotland. The photos work well with the prose poems but can be
enjoyed for their own sake. Text is in black and white and two of
the poems using black type are difficult to read against a dark background.
Teachers can use this book to enhance geography units of study.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Yolen, Jane. SNOW, SNOW: WINTER POEMS FOR CHILDREN.
Photos by Jason Stemple. Honesdale, PA:
Wordsong/Boyds Mills, 1998.
32p. 1-56397-721-4; lib.bdg., $16.95
97-76914 Gr. 3-5 811.54
Beautiful color photos inspired Yolen to write these
poems. All 13 of the poems have something to do with snow: “Snowmobile,”
“Skier,” “Snow on the Trees,” and “Mountain Snowstorm.” The poems
and photos are artistically arranged to make a picture book for all climates,
especially those with lots of winter.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Yolen, Jane, ed. ONCE UPON ICE AND OTHER FROZEN POEMS.
Photos by Jason Stemple. Honesdale, PA:
Wordsong/Boyds Mills, 1997.
32p. 1-56397-408-8; lib.bdg., $17.95
97-76914 Gr. 3-5 811.008
According to the introduction, Yolen asked 17 other
poets to look at Stemple’s “photos of ice formations and write whatever
the photos inspired.“ The 22 poems are accompanied by the photos
in pleasing arrangements to make an attractive picture book. Some
of the more well-known poets are: X. J. Kenedy, Mary Ann Hoberman, J. Patrick
Lewis, Ann Turner, Lee Bennett Hopkins, and Nancy Willard.
Introduce these poems when studying seasons.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
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Bruchac, A native storyteller, has adapted seven native
tales representing the following culures: Abenaki, Ojibway, Cherokee,
Cheyenne, Snohomish, Tlingit, and Zuni. The Michigan connection
is the Ojibway or Chippewa story, "Star Sisters." Each play is preceded
by a paragraph about the history and present location of the tribe.
All plays list speaking and non-speaking characters, props/scenery, costumes,
and script. Simplicity is the key to the props, scenery, and costumes.
After performing the last play, "The Strongest One" students can read
or listen to the circular stories from other cultures about who is the
strongest, the snow, sun, house, mouse, cat, stick, fire, water, deer,
arrow, rock, or ant and can compare them. This title is an essential
purchase for school and public libraries who want authentic plays for children
based on native stories.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
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The text is based on a version of the rhyme published
in 1805 by Martin. The child-like illustrations remind readers
of finger paints and are tinged with humor; for example, the dog is reading
a newspaper called "The Daily Dog." The end papers are photos of
dogs with hand printed names and added illustrations like glasses, hats,
wings, and halos. The text is the standard nursery rhyme but includes
only five places where Mother Hubbard went: to the cupboard, tailor, hatter,
barber, and cobbler. This nursery rhyme can be easily adapted to
antiphonal choral reading. The leader can say all the parts beginning
with "She" and the class can say in unison the parts beginning with "But."
Read this book aloud in day care centers, public and school libraries.
Mary Ann Paulin, Director; Superiorland Preview
Center, Marquette, MI
Lear, Edward. THE OWL AND THE PUSSSYCAT. Illus. by
James Marshall.
New York: Michael di Capua/HarperCollins,
1998. 32p. 0-06-205010-9; hb.,
$15.95 0-06-05011-7; lib.bdg.,
$15.89. PreS-Gr. 3 92-52640
821
The mark of a good picture book illustrator
is how he complements and adds to the text. In this picture book,
a humorous classic poem has been made even funnier by Marshall's illustrations.
Wong hand lettered the text in perfect cursive penmanship which teachers
will appreciate when teaching cursive writing. In the afterword, Maurice
Sendak tells readers that Marshall knew he would not live to see
the book published. This fact makes this book even more special to
his fans but don't buy it for sentimental purposes; purchase it because
it is a good picture book. Consider purchasing even if you have other
illustrated copies of Lear's poem.
Mary Ann Paulin; Director, Superiorland
Preview Center
Stevenson, Robert Louis. THE LITTLE LAND. Illus by
Kim Fernandes. Tonawanda, NY: Kids Can,
2002. 24p.
1-55337-385-5; hb., $14.95 C2001-903441-5 PreS-Gr. 2
821.8
The illustrations are executed with Fimo, a pliable
modeling material that is painted in bright colors. Stevenson’s
classic poem was first published in 1885 in A CHILD’S GARDEN OF VERSES.
Adults who read this one aloud, should give it a trial run because the
rhymes are challenging, especially green/been, gone/on, again/plain, chairs/tears,
and climb/time.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
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This poetry anthology functions on two levels.
First, it is a poetry anthology of humorous poems from many nationalities
and many times; i.e., LEV*I*TATE by Sergei Pavlovich Diaghilev
(1872-1929). Then at the bottom of the page, in fine print is a
textbook of poetry lessons. Information about the poet, birth and
death dates, and a brief bio are included. This is followed by definitions
of the poetry terms like onomatopoeia or types of poetry like sonnets and
acrostics. A section at the end called ”Glossing and Flossing” is the
glossary. The low-key computer generated illustrations and overall
type setting and book design as well as the light-hearted comments, make
this book a non threatening way to learn about poetry. The only flaw
in this book is the title. Purchase this unusual poetry anthology
for school and public libraries.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
Rosen, Michael. POEMS
FOR THE VERY YOUNG. Boston, MA: Kingfisher Books,
2004. 78p. 0-7534-5816-0 pb. $9.95 Gr. K-2
821.008
This collection of short,
witty poems provides reading fun for all ages. Individual poems originate
in many areas of the world, covering topics from animals to cooking to playing
in the backyard. Readers can find a poem to fit almost any event.
The watercolor illustrations are cartoonish and charming. Teachers,
parents, and librarians will want to add this to their bookshelves.
Lynette Suckow, Youth
Services, Peter White Public Library, Marquette, MI
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The twelve selections from eight of Shakespeare’s plays
begin from dawn until dusk making it a different type of bedtime book.
Closing selections include “Sing in our sweet lullaby; /Lulla, lulla,
lullaby; lulla, lulla, lullaby…” from A MIDSUMMER NIGHT’S DREAM,
II-II and “We are such stuff as/dreams are made on…” from THE TEMPEST,
IV-I. This is an excellent way to introduce young readers to Shakespeare’s
genius because the selections are “user friendly” and include some well-known
verses like “All the world’s a stage” from AS YOU LIKE IT, II-VII.
Mythological references to Phoebus and Philomel and a reference to the
tones of the dulcet, a musical instrument, need to be explained in a glossary
or an asterisk to a brief explanation at the bottom of the page.
The context helps somewhat but an explanation would help; this is a minor
problem. The illustrations have an ethereal quality in keeping with
the text. Junior and senior high schools where Shakespeare is studied
should purchase this book. This picture book, enjoyed by adults as
well as children, is a vital addition to Shakespeare collections in school
and public libraries.
Mary Ann Paulin; Director, Superiorland Preview
Center, Marquette, MI
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This is a compilation of essays which appeared in,
or as part of, previously published works (1950’s-1990’s) that cover the
beginnings of Renaissance literature in Italy, the northern Humanist Movement
and concludes by examining a variety of author’ works of prose, poetry and
drama, many of which are English.
While many of the essays may be beyond the scope
of most high school English courses, this book offers some very good
background and research information on Renaissance literature.
A section at the beginning of the book, titled “Renaissance Literature:
Aspiration and the Individual.” presents a very nice overview of the why’s
and how’s (the motivation) of Renaissance literature and some of its major
figures. The essays dealing with English authors present the student
with much insightful information not found in textbooks or encyclopedias,
especially the essays on English drama and Shakespeare. At the end
of the book is a chronology of literary events, a bibliography “for further
research,” and an index. The nuggets are there, it just takes a little
digging.
Ted Snodgrass; Media Specialist, New Haven
High School, New Haven, MI
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